![](\"http:\/\/fleda.cz\/media\/flyer\/flyer-new-new-2010-1014.jpg\")
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19\/11 – 20:00 JON HOPKINS (UK), S.C.U.M. (UK), FETT (DE), BIOS (SK), B4 (CZ), Jon Hopkins <\/strong>je anglick\u00fd hudebn\u00edk, skladatel a producent. Ve sv\u00e9 tvorb\u011b uplat\u0148uje v\u00fduku hry na klav\u00edr v d\u011btstv\u00ed, stejn\u011b tak pohlcen\u00ed r\u016fzn\u00fdmi odno\u017eemi elektronick\u00e9 hudby, od rave po drum\u00b4n\u00b4bass, kter\u00e9 v dob\u011b jeho adolescence ot\u0159\u00e1saly Lond\u00fdnem. Ve sv\u00fdch osmadvaceti letech je velmi \u00fasp\u011b\u0161n\u00fdm producentem, kter\u00fd si zaslou\u017eil sympatie nap\u0159\u00edklad Coldplay<\/em>, Davida Holmese<\/em> nebo Briana Eno<\/em>, kter\u00fd si ho v\u0161iml po vyd\u00e1n\u00ed Hopkinsova druh\u00e9ho alba Contact Note z roku 2004.<\/p>\n Spolupracoval tak\u00e9 nap\u0159\u00edklad s Massive Attack<\/em> nebo Four Tet<\/em>. Jeho hudba um\u00ed pohladit jemnou tv\u00e1\u0159 elektroniky digit\u00e1ln\u00edm chladem, stejn\u011b jako se op\u0159\u00edt o beaty s tepav\u00fdm groovem. Tento studiov\u00fd samouk \u010daruje s akustick\u00fdmi vrstvami i rytmick\u00fdmi smy\u010dkami a pro jemnocit pro atmosf\u00e9ru si ho vybral ke spolupr\u00e1ci i baletn\u00ed choreograf Wayne McGregor. Vyd\u00e1v\u00e1 nap\u0159\u00edklad na Just Music,Little Big Records<\/em> (Aphex Twin, Merzbow nebo Micachu & The Shapes), posledn\u00ed kolaborativn\u00ed po\u010din s Brianem Eno Small Craft on a Milk Sea vy\u0161el u Warp Recods.<\/p>\n Lond\u00fdnsk\u00e1 post-punkov\u00e1 p\u011btice S.C.U.M.<\/strong> se jmenuje podle feministick\u00e9ho manifestu Society For Cutting Up Men z roku 1968, jej\u00ed hudba ov\u0161em evokuje sp\u00ed\u0161e temn\u00e1 z\u00e1kout\u00ed osmdes\u00e1t\u00fdch let. Jejich \u0161pinav\u00fd post-punk spl\u0148uje v\u0161echny nezbytn\u00e9 n\u00e1le\u017eitosti jako sychrav\u00e9 kytary, nekompromisn\u00ed jednoduchost, \u0161umiv\u00e9 syntez\u00e1tory i rozost\u0159en\u00e9 vok\u00e1ly.<\/p>\n Pohr\u00e1vaj\u00ed si i s jednoduch\u00fdmi zacyklen\u00fdmi strukturami skladby jako t\u0159eba Suicide, ov\u0161em se sou\u010dasn\u00fdm nadhledem a respektem k tehdej\u0161\u00ed post-punk \u010di no-wave vln\u011b. Funguj\u00ed od roku 2007, jejich prvn\u00ed singl Vision Arise produkoval Tom Cowan z The Horrors<\/em>, jinak zat\u00edm prezentovali svou hudbu s autentickou osmdes\u00e1tkovou patinou \u017eiv\u011b. V sou\u010dasnosti vydala kapela novou nahr\u00e1vku Signal 3 Paris, kter\u00e1 je zdarma ke sta\u017een\u00ed na jejich Myspace str\u00e1nce.<\/p>\n Projekt improvizovan\u00e9 hudby B4\u00a0<\/strong>vznikl v roce 1998 a b\u011bhem deseti let, kdy vystupovali p\u0159ev\u00e1\u017en\u011b ve \u010dty\u0159\u010dlenn\u00e9 sestav\u011b, sahaly jej\u00edch hudebn\u00ed v\u00fdboje od ambientu, urban ethna, dubu, post rocku a\u017e po trip hop a jazz. B4 po roce 2008 jsou jak\u00fdmsi power triem, hraj\u00edc\u00ed divokou sm\u011bs krautrocku, noise a psychedelie. Ve sv\u00fdch improvizac\u00edch p\u0159ech\u00e1zej\u00ed od meditativn\u00edho minimalismu po ostr\u00fd noise, neochv\u011bjn\u011b pracuj\u00ed tak\u00e9 vesm\u00edrn\u00fdmi efekty, polyrytmikou a disharmoni\u00ed.<\/p>\n Na \u010desk\u00e9 pom\u011bry jsou B4 neobvykl\u00e9 t\u011bleso, jejich inspirace vych\u00e1z\u00ed sp\u00ed\u0161e z experiment\u00e1ln\u00edch zahrani\u010dn\u00edch interpret\u016f, jako jsou Petra a Pavla Ormovy, Steve Reich nebo Einst\u00fcrzende Neubauten. Od roku 2009 se \u010dlenov\u00e9 skupiny rozhodli pou\u017e\u00edvat v\u00fdhradn\u011b bizarn\u00ed spojen\u00ed historick\u00fdch n\u00e1stroj\u016f s analogovou elektronikou, vystupuj\u00ed tak\u00e9 s hostuj\u00edc\u00edm baskytaristou \u010di chrchlaj\u00edc\u00ed noisovou kytarou. V r\u00e1mci festivalu New New! daj\u00ed ochutnat i z nov\u00e9ho alba Ringo John Paul George<\/em>.<\/p>\n BIOS<\/strong> je slovensk\u00fd audiovizu\u00e1ln\u00ed projekt, kter\u00fd ofici\u00e1ln\u011b vznikl v b\u0159eznu roku 2010. Toto duo tvo\u0159\u00ed b\u00fdval\u00ed studenti Fakulty um\u011bn\u00ed TU v Ko\u0161ic\u00edch, Ateli\u00e9ru grafiky a experiment\u00e1ln\u00ed tvorby: Boris Sirka (<\/em>audio) a Jozef Tu\u0161an<\/em> (video). Koncep\u010dn\u011b se Bios p\u0159ikl\u00e1n\u00ed k dark wave, drone, witchhouse, metalu, industrialu, screamo a blacku, jejich vizu\u00e1lu, corpsepaintingu, horroru, exorcismu, gotice. Jejich sloganem je cit\u00e1t nejmenovan\u00e9 hudebn\u00ed skupiny: \u201cWhy do we need to be sanitary, when the world\u2019s so filthy anyway?\u201c<\/p>\n DJ FETT<\/strong> je Christoph Linder, manager jmen jako nap\u0159\u00edklad Felix Kubin<\/em>. Jako DJ ov\u0161em vyzn\u00e1v\u00e1 tzv. dogma DJing, kdy se sp\u00ed\u0161e soust\u0159ed\u00ed na pestr\u00fd a bizarn\u00ed hudebn\u00ed v\u00fdb\u011br, ne\u017e dokonal\u00fd hudebn\u00ed mix a neboj\u00ed se u\u0161pinit si ruce zapr\u00e1\u0161en\u00fdmi hudebn\u00edmi raritami ani sou\u010dasn\u00fdmi hity.<\/p>\n http:\/\/www.myspace.com\/jon<\/a><\/span><\/span>hopkins<\/a> 19\/11 – 20:00FL\u00c9DAJON HOPKINS (UK), S.C.U.M. (UK), FETT (DE), BIOS (SK), B4 (CZ), \u00a0
FL\u00c9DA<\/p>\n
\u00a0<\/span><\/a><\/span><\/p>\n
http:\/\/www.myspace.com\/scu<\/a><\/span><\/span>m1968<\/a>
http:\/\/www.myspace.com\/fet<\/a><\/span><\/span>tdj<\/a>
http:\/\/www.myspace.com\/bio<\/a><\/span><\/span>sproject<\/a>
http:\/\/www.myspace.com\/fed<\/a><\/span><\/span>ersel<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"
\nJon Hopkins je anglick\u00fd hudebn\u00edk, skladatel a producent. Ve sv\u00e9 tvorb\u011b uplat\u0148uje v\u00fduku hry na klav\u00edr v d\u011btstv\u00ed, stejn\u011b tak pohlcen\u00ed r\u016fzn\u00fdmi odno\u017eemi …<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[6],"tags":[104,165,166],"class_list":["post-1132","post","type-post","status-publish","format-standard","hentry","category-rss","tag-events","tag-new-new-2010","tag-party"],"_links":{"self":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/1132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/comments?post=1132"}],"version-history":[{"count":0,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/1132\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/media?parent=1132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/categories?post=1132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/tags?post=1132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}