{"id":8380,"date":"2014-04-04T14:50:11","date_gmt":"2014-04-04T13:50:11","guid":{"rendered":"http:\/\/4n4n4s.tumblr.com\/post\/81678088781"},"modified":"2014-04-04T14:50:11","modified_gmt":"2014-04-04T13:50:11","slug":"continuo-docsmy-favorite-2013-music-releases-aka-the-best","status":"publish","type":"post","link":"https:\/\/www.cesnak.org\/csnk\/continuo-docsmy-favorite-2013-music-releases-aka-the-best\/","title":{"rendered":"continuo-docs:\n\nMy favorite 2013 music releases \u2013 aka the best&#8230;"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/40.media.tumblr.com\/4afea7c46bd55c0235e62cc52865d076\/tumblr_n38wv5TzqZ1r5yt7ko1_r1_500.jpg\"\/><\/p>\n<p><a href=\"http:\/\/continuo-docs.tumblr.com\/post\/81368217815\/my-favorite-2013-music-releases-aka-the-best\" class=\"tumblr_blog\">continuo-docs<\/a>:<\/p>\n<blockquote>\n<p><strong>My favorite 2013 music releases \u2013 aka the <em>best of<\/em>\u2013.<br \/><\/strong><\/p>\n<p>I think I finally came to terms with the 2013 releases I wanted to listen to \u2013 yet I might add up to the list as I stumble upon other jewels in the following months. Note this is my first best of list in 8 years of music blogging! <br \/>A big thank you to fellow bloggers <a href=\"http:\/\/urbankill.tumblr.com\/\">Urban Kill<\/a> (punk rock), <a href=\"http:\/\/easterndaze.net\/\">Easterndaze<\/a> (Eastern Europe) and <a href=\"http:\/\/olewnick.blogspot.fr\/\">Just Outside<\/a> (experimental), to which I owe several discoveries in this list.<\/p>\n<ul>\n<li><strong>Peter Ablinger<\/strong> &#8211; <em>Regenst\u00fccke vol. 2<\/em><br \/>LP, <a href=\"http:\/\/www.godrec.com\/god18.html\">God Records<\/a>, Austria<\/li>\n<li><strong>Hans Essel<\/strong> \u2013 <em>Saitensack<\/em><br \/>LP, <a href=\"http:\/\/www.edition-telemark.de\/\">Edition Telemark<\/a>, Germany<\/li>\n<li><strong>Philip Miller<\/strong> &#8211; <em>The Refusal of Time<\/em><br \/> CD, <a href=\"http:\/\/www.philipmiller.info\/audio\/the-refusal-of-time\/\">PMCD102<\/a>, South Africa<\/li>\n<li><strong>Human Abfall<\/strong> &#8211; <em>SNG<\/em><br \/>7inch, Spastic Fantastic Records, Germany [<a href=\"http:\/\/humanabfall.bandcamp.com\/album\/sng-ep\">listen<\/a>] [<a href=\"http:\/\/urbankillblog.blogspot.fr\/2014\/02\/human-abfall-sng-7-ep-chuchu-records.html\">via<\/a>]<\/li>\n<li><strong>Jace Clayton<\/strong> \u2013 <em>The Julius Eastman Memory Depot<\/em><br \/>CD, <a href=\"http:\/\/newamrecords.com\/\">New Amsterdam Records<\/a>, USA [<a href=\"http:\/\/jaceclayton.bandcamp.com\/album\/the-julius-eastman-memory-depot\">listen<\/a>]<\/li>\n<li><strong>Bob Ostertag<\/strong> \u2013 <em>A Book of Hours<\/em><br \/>online release, <a href=\"http:\/\/bobostertag.com\/music-recordings-bookofhours.htm\">self-published<\/a>, USA<\/li>\n<li><strong>Die Welttraumforscher<\/strong> &#8211; exhibition catalogue<br \/>book+7inch, <a href=\"http:\/\/www.kunsthauslangenthal.ch\/index.php\/die-welttraumforscher.en.htm\">Kunsthaus Langenhaus<\/a>, Bern canton, Switzerland [<a href=\"http:\/\/dispokino.blogspot.fr\/2013\/10\/die-welttraumforscher-exhibition-book.html\">curator\u2019s blog<\/a>]<\/li>\n<li><strong>VooDooMan<\/strong> &#8211; <em>Voices from Antidimension<\/em><br \/>DVD+netrelease, <a href=\"http:\/\/lomlabel.tumblr.com\/post\/51732416987\/rozhovor-s-voodoomanom\">LOM Label<\/a>, Slovakia [<a href=\"https:\/\/zvukolom.bandcamp.com\/album\/voices-from-antidimension\">listen<\/a>]<\/li>\n<li><strong>Stillsuit<\/strong> \u2013 s\/t <br \/>LP, self-released, USA [<a href=\"http:\/\/stillsuit.org\/\">listen<\/a>] [<a href=\"http:\/\/still-single.tumblr.com\/post\/62215296271\/stillsuit-s-t-lp-self-released\">via<\/a>] [band\u2019s <a href=\"http:\/\/stillsuit.tumblr.com\/\">tumblr<\/a>]<\/li>\n<li><strong>Somnoroase Pasarele<\/strong> &#8211; <em>ABECD<\/em><br \/>cassette, Baba Vanga, ref. VNG003, Slovakia [<a href=\"http:\/\/babavanga.bandcamp.com\/album\/somnoroase-p-s-rele-abecd\">listen<\/a>] [<a href=\"http:\/\/easterndaze.net\/post\/61747086029\/somnoroase-pasarele-abecd-pataphysics-technoulipo\">via<\/a>]<\/li>\n<li><strong>Li Daiguo<\/strong> \u2013 <em>Music for Advertisements<\/em><br \/>7\u201d single, Tenzenmen, Australia [<a href=\"http:\/\/genjingrecords.bandcamp.com\/album\/music-for-advertisements-7\">listen<\/a>]<\/li>\n<li><strong>Alvaro<\/strong> &#8211; <em>Seventy Years Old<\/em><br \/>LP, Squeaky Shoes Records, SSR-19, Germany [<a href=\"http:\/\/www.don-alvaro.net\/disco.html\">artist\u2019s website<\/a>]<\/li>\n<li><strong>Bicikl<\/strong> &#8211; <em>\u0160aknys <\/em>(Serbia\/Lithuania)<br \/>cassette, <a href=\"http:\/\/halloweenquest.tumblr.com\/\">Halloween Quest Records<\/a>, Canada [<a href=\"https:\/\/halloweenquestrecords.bandcamp.com\/album\/hq08-aknys\">listen<\/a>] [<a href=\"http:\/\/freemusicarchive.org\/music\/Bicikl\/aknys\/\">d\/l<\/a>]<\/li>\n<li><strong>Ak\u2019chamel<\/strong> \u2013 <em>Pus Ch\u2019en<\/em> <br \/>net release, <a href=\"http:\/\/surrism.phonoethics.com\/release\/akchamel-pus-chen\/\">suRRism-Phonoethics<\/a> [<a href=\"http:\/\/akchamel.bandcamp.com\/album\/pus-chen\">listen<\/a>]<\/li>\n<li><strong>Idea Fire Company<\/strong> \u2013 <em>Postcards<\/em><br \/>LP, <a href=\"http:\/\/www.anti-naturals.org\/swill\/SRnews.htm\">Swill Radio 033<\/a>, USA<\/li>\n<li><strong>Jolana Havelkov\u00e1 &#038; Lucie V\u00edtkov\u00e1<\/strong> &#8211; <em><span class=\"st\">N\u00e1vrh na zm\u011bnu partitury<\/span><\/em><br \/>CD, LOM Label, LOM03, Slovakia [<a href=\"http:\/\/zvukolom.org\/releases\/03-jolana-havelkova-lucie-vitkova-navrh-na-zmenu-partitury\/\">listen<\/a>]<\/li>\n<li><strong>Johnny Trunk et al.<\/strong> \u2013 <em>Radio Straka<\/em>, <a href=\"http:\/\/radiostraka.com\/\">podcast<\/a>, UK<\/li>\n<li><strong>Akos Rozmann<\/strong> &#8211; <em>Images of the Dream and Death<\/em>\u00a0 (1974-2001)<br \/>3xLP, <a href=\"http:\/\/editionsmego.com\/release\/SOMA016-2\">Mego<\/a>, Austria<\/li>\n<li><strong>Various<\/strong> &#8211; <em>IPEM, Institute for Psychoacoustics and Electronic Music<\/em><br \/>3xLP+2CD, <a href=\"http:\/\/www.metaphon.be\/index.php?page=ipem\">Metaphon<\/a>, Belgium<\/li>\n<li><strong>Karel Goyaverts<\/strong> &#8211; <em>Pour que les fruits m\u00fbrissent cet \u00e9t\u00e9 <\/em>(1977)<br \/>LP\/CD, <a href=\"http:\/\/www.discogs.com\/Karel-Goeyvaerts-Pour-Que-Les-Fruits-M%C3%BBrissent-Cet-%C3%89t%C3%A9-Op-Acht-Paarden-Wedden\/release\/4879297\">Finders Keepers<\/a>, UK<\/li>\n<li><strong>Ray Gallon<\/strong> &#8211; <em>Nam June Paik: A Work For Radio <\/em>(1979)<br \/>cassette, <a href=\"http:\/\/www.tapeworm.org.uk\/ttw53.html\">The Tapeworm<\/a>, ref. TTW#53, UK [<a href=\"http:\/\/continuo-docs.tumblr.com\/post\/69465730382\/ray-gallon-nam-june-paik-a-work-for-radio\">soundclip<\/a>]<\/li>\n<li><strong>Charles Cohen<\/strong> \u2013 <em>The Middle Distance<\/em> (1980)<br \/>LP, <a href=\"http:\/\/www.morphinerecords.com\/\">Morphine Records<\/a>, Germany<\/li>\n<li><strong>Scopdom Scop<\/strong> \u2013 <em>Fresh Deceit<\/em> (1985)<br \/>2xCD, self-release, USA [<a href=\"http:\/\/scopdomscop.bandcamp.com\/album\/fresh-deceit\">listen<\/a>]<\/li>\n<\/ul>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/40.media.tumblr.com\/4afea7c46bd55c0235e62cc52865d076\/tumblr_n38wv5TzqZ1r5yt7ko1_r1_500.jpg\"><\/p>\n<p><a href=\"http:\/\/continuo-docs.tumblr.com\/post\/81368217815\/my-favorite-2013-music-releases-aka-the-best\">continuo-docs<\/a>:<\/p>\n<blockquote>\n<p><strong>My favorite 2013 music releases &ndash; aka the <em>best of<\/em>&ndash;.<br \/><\/strong><\/p>\n<p>I think I finally came to terms with the 2013 releases I wanted to listen to &ndash; yet I might add up to the list as I stumble upon other jewels in the following months. Note this is my first best of list in 8 years of music blogging! <br \/>A big thank you to fellow bloggers <a href=\"http:\/\/urbankill.tumblr.com\/\">Urban Kill<\/a> (punk rock), <a href=\"http:\/\/easterndaze.net\/\">Easterndaze<\/a> (Eastern Europe) and <a href=\"http:\/\/olewnick.blogspot.fr\/\">Just Outside<\/a> (experimental), to which I owe several discoveries in this list.<\/p>\n<ul>\n<li><strong>Peter Ablinger<\/strong> &#8211; <em>Regenst&uuml;cke vol. 2<\/em><br \/>LP, <a href=\"http:\/\/www.godrec.com\/god18.html\">God Records<\/a>, Austria<\/li>\n<li><strong>Hans Essel<\/strong> &ndash; <em>Saitensack<\/em><br \/>LP, <a href=\"http:\/\/www.edition-telemark.de\/\">Edition Telemark<\/a>, Germany<\/li>\n<li><strong>Philip Miller<\/strong> &#8211; <em>The Refusal of Time<\/em><br \/> CD, <a href=\"http:\/\/www.philipmiller.info\/audio\/the-refusal-of-time\/\">PMCD102<\/a>, South Africa<\/li>\n<li><strong>Human Abfall<\/strong> &#8211; <em>SNG<\/em><br \/>7inch, Spastic Fantastic Records, Germany [<a href=\"http:\/\/humanabfall.bandcamp.com\/album\/sng-ep\">listen<\/a>] [<a href=\"http:\/\/urbankillblog.blogspot.fr\/2014\/02\/human-abfall-sng-7-ep-chuchu-records.html\">via<\/a>]<\/li>\n<li><strong>Jace Clayton<\/strong> &ndash; <em>The Julius Eastman Memory Depot<\/em><br \/>CD, <a href=\"http:\/\/newamrecords.com\/\">New Amsterdam Records<\/a>, USA [<a href=\"http:\/\/jaceclayton.bandcamp.com\/album\/the-julius-eastman-memory-depot\">listen<\/a>]<\/li>\n<li><strong>Bob Ostertag<\/strong> &ndash; <em>A Book of Hours<\/em><br \/>online release, <a href=\"http:\/\/bobostertag.com\/music-recordings-bookofhours.htm\">self-published<\/a>, USA<\/li>\n<li><strong>Die Welttraumforscher<\/strong> &#8211; exhibition catalogue<br \/>book+7inch, <a href=\"http:\/\/www.kunsthauslangenthal.ch\/index.php\/die-welttraumforscher.en.htm\">Kunsthaus Langenhaus<\/a>, Bern canton, Switzerland [<a href=\"http:\/\/dispokino.blogspot.fr\/2013\/10\/die-welttraumforscher-exhibition-book.html\">curator&rsquo;s blog<\/a>]<\/li>\n<li><strong>VooDooMan<\/strong> &#8211; <em>Voices from Antidimension<\/em><br \/>DVD+netrelease, <a href=\"http:\/\/lomlabel.tumblr.com\/post\/51732416987\/rozhovor-s-voodoomanom\">LOM Label<\/a>, Slovakia [<a href=\"https:\/\/zvukolom.bandcamp.com\/album\/voices-from-antidimension\">listen<\/a>]<\/li>\n<li><strong>Stillsuit<\/strong> &ndash; s\/t <br \/>LP, self-released, USA [<a href=\"http:\/\/stillsuit.org\/\">listen<\/a>] [<a href=\"http:\/\/still-single.tumblr.com\/post\/62215296271\/stillsuit-s-t-lp-self-released\">via<\/a>] [band&rsquo;s <a href=\"http:\/\/stillsuit.tumblr.com\/\">tumblr<\/a>]<\/li>\n<li><strong>Somnoroase Pasarele<\/strong> &#8211; <em>ABECD<\/em><br \/>cassette, Baba Vanga, ref. VNG003, Slovakia [<a href=\"http:\/\/babavanga.bandcamp.com\/album\/somnoroase-p-s-rele-abecd\">listen<\/a>] [<a href=\"http:\/\/easterndaze.net\/post\/61747086029\/somnoroase-pasarele-abecd-pataphysics-technoulipo\">via<\/a>]<\/li>\n<li><strong>Li Daiguo<\/strong> &ndash; <em>Music for Advertisements<\/em><br \/>7&rdquo; single, Tenzenmen, Australia [<a href=\"http:\/\/genjingrecords.bandcamp.com\/album\/music-for-advertisements-7\">listen<\/a>]<\/li>\n<li><strong>Alvaro<\/strong> &#8211; <em>Seventy Years Old<\/em><br \/>LP, Squeaky Shoes Records, SSR-19, Germany [<a href=\"http:\/\/www.don-alvaro.net\/disco.html\">artist&rsquo;s website<\/a>]<\/li>\n<li><strong>Bicikl<\/strong> &#8211; <em>&Scaron;aknys <\/em>(Serbia\/Lithuania)<br \/>cassette, <a href=\"http:\/\/halloweenquest.tumblr.com\/\">Halloween Quest Records<\/a>, Canada [<a href=\"https:\/\/halloweenquestrecords.bandcamp.com\/album\/hq08-aknys\">listen<\/a>] [<a href=\"http:\/\/freemusicarchive.org\/music\/Bicikl\/aknys\/\">d\/l<\/a>]<\/li>\n<li><strong>Ak&rsquo;chamel<\/strong> &ndash; <em>Pus Ch&rsquo;en<\/em> <br \/>net release, <a href=\"http:\/\/surrism.phonoethics.com\/release\/akchamel-pus-chen\/\">suRRism-Phonoethics<\/a> [<a href=\"http:\/\/akchamel.bandcamp.com\/album\/pus-chen\">listen<\/a>]<\/li>\n<li><strong>Idea Fire Company<\/strong> &ndash; <em>Postcards<\/em><br \/>LP, <a href=\"http:\/\/www.anti-naturals.org\/swill\/SRnews.htm\">Swill Radio 033<\/a>, USA<\/li>\n<li><strong>Jolana Havelkov&aacute; &amp; Lucie V&iacute;tkov&aacute;<\/strong> &#8211; <em><span>N&aacute;vrh na zm&#283;nu partitury<\/span><\/em><br \/>CD, LOM Label, LOM03, Slovakia [<a href=\"http:\/\/zvukolom.org\/releases\/03-jolana-havelkova-lucie-vitkova-navrh-na-zmenu-partitury\/\">listen<\/a>]<\/li>\n<li><strong>Johnny Trunk et al.<\/strong> &ndash; <em>Radio Straka<\/em>, <a href=\"http:\/\/radiostraka.com\/\">podcast<\/a>, UK<\/li>\n<li><strong>Akos Rozmann<\/strong> &#8211; <em>Images of the Dream and Death<\/em>&nbsp; (1974-2001)<br \/>3xLP, <a href=\"http:\/\/editionsmego.com\/release\/SOMA016-2\">Mego<\/a>, Austria<\/li>\n<li><strong>Various<\/strong> &#8211; <em>IPEM, Institute for Psychoacoustics and Electronic Music<\/em><br \/>3xLP+2CD, <a href=\"http:\/\/www.metaphon.be\/index.php?page=ipem\">Metaphon<\/a>, Belgium<\/li>\n<li><strong>Karel Goyaverts<\/strong> &#8211; <em>Pour que les fruits m&ucirc;rissent cet &eacute;t&eacute; <\/em>(1977)<br \/>LP\/CD, <a href=\"http:\/\/www.discogs.com\/Karel-Goeyvaerts-Pour-Que-Les-Fruits-M%C3%BBrissent-Cet-%C3%89t%C3%A9-Op-Acht-Paarden-Wedden\/release\/4879297\">Finders Keepers<\/a>, UK<\/li>\n<li><strong>Ray Gallon<\/strong> &#8211; <em>Nam June Paik: A Work For Radio <\/em>(1979)<br \/>cassette, <a href=\"http:\/\/www.tapeworm.org.uk\/ttw53.html\">The Tapeworm<\/a>, ref. TTW#53, UK [<a href=\"http:\/\/continuo-docs.tumblr.com\/post\/69465730382\/ray-gallon-nam-june-paik-a-work-for-radio\">soundclip<\/a>]<\/li>\n<li><strong>Charles Cohen<\/strong> &ndash; <em>The Middle Distance<\/em> (1980)<br \/>LP, <a href=\"http:\/\/www.morphinerecords.com\/\">Morphine Records<\/a>, Germany<\/li>\n<li><strong>Scopdom Scop<\/strong> &ndash; <em>Fresh Deceit<\/em> (1985)<br \/>2xCD, self-release, USA [<a href=\"http:\/\/scopdomscop.bandcamp.com\/album\/fresh-deceit\">listen<\/a>]<\/li>\n<\/ul>\n<\/blockquote>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[6],"tags":[],"class_list":["post-8380","post","type-post","status-publish","format-standard","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/8380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/comments?post=8380"}],"version-history":[{"count":1,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/8380\/revisions"}],"predecessor-version":[{"id":8692,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/8380\/revisions\/8692"}],"wp:attachment":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/media?parent=8380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/categories?post=8380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/tags?post=8380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}