{"id":950,"date":"2010-09-17T15:46:39","date_gmt":"2010-09-17T14:46:39","guid":{"rendered":"http:\/\/4n4n4s.tumblr.com\/post\/1137683628"},"modified":"2010-09-17T15:46:39","modified_gmt":"2010-09-17T14:46:39","slug":"cartavetro-it-japanese-gum-it-klub-luc-on-19th-september-2010","status":"publish","type":"post","link":"https:\/\/www.cesnak.org\/csnk\/cartavetro-it-japanese-gum-it-klub-luc-on-19th-september-2010\/","title":{"rendered":"CARTAVETRO (IT) + JAPANESE GUM (IT) @ Klub L\u00fa\u010d on 19th September 2010"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/sphotos.ak.fbcdn.net\/hphotos-ak-ash2\/hs358.ash2\/63846_1567159509535_1551859806_1339286_8046715_n.jpg\"\/><\/p>\n<p>CRTVTR\u2019s path is a path of both the physic and the mind, where experimentation has always walked arm in arm with improvisation.<br \/>Everything that music can teach human beings about themselves, is what Cartavetro want to learn from music.<br \/>The  aim might seem pretentious, we are well aware of it, but it\u2019s just  seemingly so: it\u2019s all simply about regaining possession of that  pleasure of experimentation, in a ludic sense, that children f<span class=\"text_exposed_hide\">\u2026<\/span><span class=\"text_exposed_show\">eel when they play.<br \/>The  effort is that of keeping together an elementary expressive urgency  (rock?) with a necessity, as strong as the latter, of exploring the  music uttered. The instrument is thus the sound, not the bass , the  drums or the guitar.<br \/>Some forms are just sketched, other clearly  non-finished, and it is not simply a self-condescending vice: it is more  of a necessity, to throw it out here and now, always. The firm belief  is that it is inside the edges that you can find the exact spirit of the  moment.<br \/>Some sounds are excessive, some forms crooked, some  solutions difficult, but they spring from the need to acquire a new  point of view and to never give anything for granted, not even the sound  uttered by the classic instruments, that of the power trio, prominently  rock.<br \/>That is like saying that complexity is the opposite of  adulteration, that simplicity is the opposite of banality, and that  music is a performatory art.<\/p>\n<p><a  href=\"http:\/\/www.myspace.com\/cartavetro\"><span><a href=\"http:\/\/www.myspace.com\/car\">http:\/\/www.myspace.com\/car<\/a><\/span><span class=\"word_break\"><\/span>tavetro<\/a><\/p>\n<p> Japanese Gum is an experimental Italian duo originally from Genova born in the spring of 2005.<br \/>The  band consists now of Davide Cedolin and Paolo Tortora. During first two  years of activity, there was a third member, Luigi Bozzo, that now is  only a collaborator.<br \/>JG music is characterized by wall of delayed  guitars, soft vocals, electronic glitch beats and synth pads, but it\u2019s  not right to define their sound into a specific kind: the guys are  always looking for new developments and different sound solutions: from  the first release \u201cTalking. Silently e.p.\u201d, focused on an ambient-glitch  type of soundscapes, to \u201cWithout you I\u2019m napping\u201d, more oriented to  massive shoegazing guitars melted with psychedelic obsessive loops and  first real percussions ever.<br \/>During the sessions for the first  full-lenght, Japanese Gum put some unreleased tracks\/versions together  with few friends\u2019 remixes into \u201cLost in weirdness\u201d (remixes by Isan, Die  stadt der romantische punks, Eniac\u2026).<br \/>The new album \u201cHey Folks!  Nevermind, we are all falling down\u201d will be released in september 2009  by Friend of mine records, and it\u2019s a perfect balanced combo of liquid  atmosphere, droning guitars, suspended vocals, electronic patterns and  real drums.<\/p>\n<p><a  href=\"http:\/\/www.myspace.com\/japgum\"><span><a href=\"http:\/\/www.myspace.com\/jap\">http:\/\/www.myspace.com\/jap<\/a><\/span><span class=\"word_break\"><\/span>gum<\/a> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CRTVTR\u2019s path is a path of both the physic and the mind, where experimentation has always walked arm in arm with improvisation.Everything that music can teach human beings about themselves, is what Cartavetro want to learn from music.The  aim might &#8230;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[6],"tags":[104,152,109,44],"class_list":["post-950","post","type-post","status-publish","format-standard","hentry","category-rss","tag-events","tag-klub-luc","tag-music","tag-trencin"],"_links":{"self":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/comments?post=950"}],"version-history":[{"count":0,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/posts\/950\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/media?parent=950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/categories?post=950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cesnak.org\/csnk\/wp-json\/wp\/v2\/tags?post=950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}